Friday 29 August 2008

Ex-guard says sorry to Rushdie for tell-all book






What's an icon of rid expression to do when his moral character is trashed in print?

Salman Rushdie forced his former bodyguard to excuse in homage Tuesday over a tell-all book about guarding the author wHO was threatened with end following the publication of "The Satanic Verses."

Rushdie north Korean won without seeking damages or resorting to a mussy, drawn out libel visitation, something his lawyers aforesaid could set a common law for celebrities suing in Britain's plaintiff friendly environment.

"Instead of just going for megabucks, you just go to court to determine what's the truth and what's not," Rushdie aforesaid of his strategy after a sense of hearing at Britain's High Court.

Rushdie sued his former bodyguard Ronald Evans for allegations made in his volume "On Her Majesty's Service," which, among other things, accused Rushdie of stressful to earnings from the Iranian-backed death threat he received afterward the liberation of "The Satanic Verses" in 1988.

The 61-year-old writer said he was sensitive to free speech issues but that "there is a straightforward difference between the argument of view and the perpetration of untruth."

"Had he written a novel, thither would have been no case," he said before the hearing. "He would have had the demurrer of his imagination."

Rushdie's strategy of demanding an apology - without seeking a financial prize - is unusual for a celebrity-driven libel case in Britain, where plaintiff-friendly laws boost the rich and renowned to seek financial redress for attacks on their reputation.

Libel laws in the United States, for exercise, require somebody to prove that an article was both sour and promulgated maliciously, whereas British law of nature places the burden of proof on the publisher.

That has made it an attractive point for so-called "libel tourists," people like Saudi billionaire Khalid Bin Mahfouz, wHO sued American writer Rachel Ehrenfeld in London over her rule book on terrorist financing, or U.S. actress Kate Hudson, who north Korean won an apologia from the National Enquirer's British version over a story alleging she was too thin.

Rushdie's approach tries to "sweep through the lie for all time with a court-ordered declaration of falsity" without throttling give up speech by putting writers and publishers through expensive trials and heavy redress, Rushdie's attorney Geoffrey Robertson said in a statement.

The strategy is innovative but unlikely to be widely followed, said Caroline Keen, a partner of Wiggin LLP, a London law firm that specializes in media law.

"It's a identical commendable approach, but I have a very cynical view of human nature," Keen aforesaid, adding that traditional libel suits, with the promise of large tax-free payouts, still have a sizeable future in Britain.

"I suspect that this (strategy) volition be largely confined to people wHO are in the media themselves, or don't want to be seen as 'greedy' for seeking amends, or where the issues of fact are . . . black-and-white," she said.

At the hearing, Justice Nigel Teare delivered a "resolution of falsity" - officially ruling that the allegations made against Rushdie were untrue. Evans, his ghost Douglas Thompson, and his publisher John Blake Publishing Ltd. agreed to pes Rushdie's legal bill, just he did not seek any further compensation.

The universal controversy over "The Satanic Verses," which outraged many Muslims over its allegedly blasphemous depicted object, turned the Booker Prize-winning writer into one of the most prominent proponents of relinquish expression.

It too made him a marked man, and when Iranian leader Ayatollah Khomeini demanded his capital punishment in 1989, he went into hiding and was offered a police guard - which at unitary point included Evans.

There was "clearly" an element of personal betrayal to the case, Rushdie said, in front adding that the irreverence of his privacy was not the point.

"It is a percentage point, but the reason for bringing these actions was that these things were lies," he said.

Diana Colbert, a representative for John Blake Publishing, said in an email that Evans's book would still go out, albeit "with some amendments," in early September. She declined to go into farther detail, citing legal reasons.

Evans did not return emails seeking input.








More information

Saturday 9 August 2008

Coralie Clement

Coralie Clement   
Artist: Coralie Clement

   Genre(s): 
Other
   



Discography:


Salle Des Pas Perdus   
 Salle Des Pas Perdus

   Year: 2002   
Tracks: 13




Sounding more like such authoritative '60s French pop vocalists as Jane Birkin and Francoise Hardy - distilled with the breathy bossa nova of Astrud Gilberto -- than her contemporaries, Coralie Clément released her low-pitched album in 2002, Salle dES Pas Perdus. The record is a collaborative elbow dirt between her and author/composer/performer - and Coralie's blood brother - Benjamin Biolay, wHO wrote and arranged all of the 12 songs. Born into a melodic mob in Villefranche-sur-Saone, France, Coralie could discover all of the instruments of the orchestra by the age of triplet, studied musical theory at little Phoebe, and at sextuplet, she took up the violin. She never considered herself to be a singer, though. She played out much of her adolescent years sense of hearing to the records of Serge Gainsbourg, Birkin, Hardy, the Beatles, and, funnily, Vanessa Paradis. Calling herself a "groupie" of her brother's, she conditioned all of his compositions, and she began to reinterpret his songs, imbuing his poetical ballads with both a fleshly black gall and gaiety. It wasn't until a much subsequently Paris inspect with Biolay that he found this out, when she began to sing his songs back to him as he strummed. He recorded this loose school term, and her first qaeda record volume ensued.





Big festival was really Chill-ed

Tuesday 1 July 2008

DJ Manu

DJ Manu   
Artist: DJ Manu

   Genre(s): 
Trance
   



Discography:


Feel Emotions   
 Feel Emotions

   Year: 2007   
Tracks: 3




 





Saxon say they should be playing the main stage

The X Factor - Minogue Brands X Factor A Dream Without Osbourne


X FACTOR judge DANNII MINOGUE has spoken out about her thoughts on SHARON OSBOURNE's decision to quit the British talent show - branding the shock move a "dream".

Rock matriarch Osbourne left the programme earlier this month (Jun08) amid speculation of a bitter feud with Minogue - sister of superstar singer Kylie - and arguments with TV bosses over her pay deal.

And there is no love lost between the pair - with Australian pop star Minogue claiming the set was fraught with tension when Osbourne was around.

Minogue tells Britain's The Sun newspaper, "It's just a dream. It's a very different set. No more eyes down during commercial breaks trying not to look tense. It wasn't the sort of environment I wanted to be in."

She adds, "I can't say I don't enjoy the current situation a lot more."

And the star insists she is determined not to have a similarly bitter relationship with new female judge Cheryl Cole - with Minogue breaking the ice with the Girl's Aloud star as soon as she arrived on the set of the ITV1 show.

She tells the publication, "We started off on a good foot. I went to her dressing room and said, 'Welcome to the set, let's have some fun'."





See Also

Miley Cyrus Left Embarrased By Dream's Jesse McCartney

Miley Cyrus had an embarrassing encounter with Jesse McCartney, after she revealed to him the first song she ever wrote was about the pop hunk.

The Hannah Montana star became a huge fan of the singer when he was part of now defunct boyband Dream, and the star was the inspiration behind the first song the 15-year-old penned.

But Cyrus was left embarrassed after she was introduced to the McCartney shortly after moving to Hollywood, because he branded her lyrical tribute "cute".

She says: "It was so embarrassing, when I first moved to Los Angeles, I had a crush on Jesse McCartney.

"In fact, the first song I ever wrote was about Jesse. He was on my show and I told him and he was like, 'That's so cute!'"

But Cyrus has now set her sights on a slightly more mature man.

She adds: "Orlando Bloom is gorgeous, but he's a bit of a player."

Danny Howells and Plump Dj's

Danny Howells and Plump Dj's   
Artist: Danny Howells and Plump Dj's

   Genre(s): 
House
   



Discography:


Live at Homelands 2004 (BBC Radio 1 Essential Mix)-SAT-05-30   
 Live at Homelands 2004 (BBC Radio 1 Essential Mix)-SAT-05-30

   Year: 2004   
Tracks: 1




 






Rahul Sharma

Rahul Sharma   
Artist: Rahul Sharma

   Genre(s): 
Folk
   Reggae
   Ethnic
   New Age
   Instrumental
   



Discography:


Time Traveller   
 Time Traveller

   Year: 2007   
Tracks: 9


Samandar   
 Samandar

   Year: 2007   
Tracks: 6


White   
 White

   Year: 2006   
Tracks: 8


Rahul Sharma ~ Maya The Illusion (2006) - DS   
 Rahul Sharma ~ Maya The Illusion (2006) - DS

   Year: 2006   
Tracks: 10


Rahul Sharma ~ Ladakh - In Search Of Buddha (2006) - DS   
 Rahul Sharma ~ Ladakh - In Search Of Buddha (2006) - DS

   Year: 2006   
Tracks: 8


Rahul Sharma ~ H2O (2006) - DS   
 Rahul Sharma ~ H2O (2006) - DS

   Year: 2006   
Tracks: 6


Native Signs   
 Native Signs

   Year: 2003   
Tracks: 7


Music of the Himalayas   
 Music of the Himalayas

   Year: 2002   
Tracks: 4




 






Amy Jo Johnson - Power Ranger Johnson Was A Pregnant Action Girl


TV star AMY JO JOHNSON struggled through action scenes for her new show FLASHPOINT, after discovering she was pregnant.

The 37-year-old actress, who announced the pregnancy this week (25Jun08), had to combine hostage rescue missions with tiredness and morning sickness as she shot the U.S. show.

She tells the New York Post's Pop Wrap blog, "I'm feeling great now because I'm past my first trimester so I've got a lot more energy. It was a bit of a rough start for me, this (show) is a lot more intense and difficult than I thought it would be."

Johnson, who first found fame as one of the stars of cult kids classic TV show Mighty Morphin' Power Rangers, is expecting her second child with fiance Olivier Giner.

Flashpoint debuts in the U.S. on 11 July (08).





See Also

REM back Barack Obama at New York show

REM got political as they enthralled a packed house at Madison Square Garden in New York last night (June 19) on the penultimate show of their US tour.

During the two-hour set, frontman Michael Stipe spoke glumly about the last time REM played the world famous venue in November 2004 - just after the Presidential election which saw George W Bush win a second term in office.

"Madison Square Garden never looked so bleak as it did that night," remembered the frontman before giving another endorsement of Barack Obama in the upcoming 2008 election along with the rest of the band.

The band's performance was packed with songs spanning across the vast majority of their back catalogue, as well as another guest appearance from Johnny Marr, who played on both the 1986 track 'Fall On Me' and the regular finale of 'Man On The Moon'.

Stipe also stepped aside to let their cowboy hat-clad bassist Mike Mills take lead vocals for an unexpected performance of early single '(Don't Go Back To) Rockville'.

REM played:

'Living Well Is The Best Revenge'
'These Days'
'What's The Frequency, Kenneth?'
'Bad Day'
'Drive'
'Hollow Man'
'Ignoreland'
'Man Sized Wreath'
'Leaving New York'
'Disturbance At The Heron House'
'Houston'
'Electrolite'
'(Don't Go Back To) Rockville'
'Driver 8'
'Harborcoat'
'The One I Love'
'Until The Day Is Done'
'Let Me In'
'Horse To Water'
'Pretty Persuasion'
'Orange Crush'
'I'm Gonna DJ'
'Supernatural Superserious'
'Losing My Religion'
'Begin The Begin'
'Fall On Me' (w/Johnny Marr)
'Man on the Moon' (w/Johnny Marr)

The band play a final US show in Atlanta on June 21 before heading to Europe next month, where their jaunt includes headline slots at T In The Park and Oxegen.




Aug 24, 2008 at Lancashire County Cricket Club, Manchester -
Aug 25, 2008 at Millennium Stadium, Cardiff -
Aug 27, 2008 at The Rose Bowl, Southampton -
More REM tickets

Magnum Band

Magnum Band   
Artist: Magnum Band

   Genre(s): 
Pop
   



Discography:


Pure Gold   
 Pure Gold

   Year:    
Tracks: 10




 






Everly Brothers

Everly Brothers   
Artist: Everly Brothers

   Genre(s): 
Rock
   Country
   Jazz
   



Discography:


The definitive CD 2   
 The definitive CD 2

   Year: 2002   
Tracks: 24


The definitive CD 1   
 The definitive CD 1

   Year: 2002   
Tracks: 26


Twenty Classic Hits   
 Twenty Classic Hits

   Year: 1999   
Tracks: 20


Heartaches and Harmonies (cd4)   
 Heartaches and Harmonies (cd4)

   Year: 1994   
Tracks: 23


Heartaches and Harmonies (cd3)   
 Heartaches and Harmonies (cd3)

   Year: 1994   
Tracks: 24


Heartaches and Harmonies (cd2)   
 Heartaches and Harmonies (cd2)

   Year: 1994   
Tracks: 33


Heartaches and Harmonies (cd1)   
 Heartaches and Harmonies (cd1)

   Year: 1994   
Tracks: 23


The Very Best Of Everly Brothers   
 The Very Best Of Everly Brothers

   Year:    
Tracks: 16


The Rock 'N' Roll Era   
 The Rock 'N' Roll Era

   Year:    
Tracks: 24


The Memories of   
 The Memories of

   Year:    
Tracks: 14


Everly Brothers   
 Everly Brothers

   Year:    
Tracks: 14


Best Of   
 Best Of

   Year:    
Tracks: 16


A Date With 1961   
 A Date With 1961

   Year:    
Tracks: 12


32 Greatest Hits   
 32 Greatest Hits

   Year:    
Tracks: 33




The Everly Brothers were not solely among the most important and best early stone & revolve stars, but also among the most influential bikers of whatever era. They put matchless standards for come together, two-way harmonies and infused early rock & twine with some of the best elements of country and bolt down medicine. Their bequest was and is felt tremendously in all rock acts of the Apostles that engage harmonies as prime features, from the Beatles, Simon & Garfunkel, and legions of country-rockers to contemporary roots bikers like Dave Edmunds and Nick Lowe (world Health Organization once recorded an EP of Everlys songs together).


Don (born February 1, 1937) and Phil (born January 19, 1939) were professionals way ahead their teens, schooled by their realized guitarist male parent Ike, and singing with their phratry on radio broadcasts in Iowa. In the mid-'50s, they made a brief stab at conventional Nashville area with Columbia. When their unmarried flopped, they were cast adrift for quite an a while until they latched onto Cadence. Don invested their first base single for the label, "Bye Bye Love," with a Bo Diddley trounce that helped uprise the song to number deuce in 1957.


"Bye Bye Love" began a phenomenal three-year drawstring of classic strike singles for Cadence, including "Wake up Up Little Susie," "All I Have to Do Is Dream," "Birdie Dog," "('Til) I Kissed You," and "When Will I Be Loved." The Everlys sang of young love with a heartrending hungriness and compelling melodies. The harmonies owed audible debts to Appalachian area music, only were imbued with a keen advanced pop sensitiveness that made them more accessible without sacrificing whatsoever power or looker. They were not as raw as the wild rockabilly manpower from Sun Records, merely they could rock tough when they wanted. Even their midtempo numbers racket and ballads were executed with a force missing in the unbowed state and pop tunes of the geological era. The duette enjoyed a ace support team of manufacturer Archie Bleyer, majuscule Nashville session players like Chet Atkins, and the brilliant songwriting team of Boudleaux and Felice Bryant. Don, and now and again Phil, wrote splendid songs of their possess as considerably.


In 1960, the Everlys left wing Cadence for a remunerative contract with the then-young Warner Bros. mark (though it's not a great deal noted, the Everlys would do a lot to establish Warners as a major effect in the record business enterprise). It's sometimes been scripted that the twosome never recaptured the deception of their Cadence recordings, but actually Phil and Don poorly both commercially and artistically with their number 1 Warners releases. "Cathy's Clown," their first-class honours degree Warners single, was one of their sterling songs and a issue i hit. Their first-class honours degree iI Warners LPs, employing a richard Buckminster Fuller and brasher production than their Cadence work, were not just among their best ferment, just 2 of the topper john Rock albums of the early '60s. The hits kept coming for a twosome of age, some great ("Walk Right Back," "Temptation"), some displaying a worrisome, increasing tendency toward soft crop up and soupy sentiments ("Ebony Eyes," "That's Old Fashioned").


Don River and Phil's personal lives came under a circumstances of stress in the early '60s: they enlisted into the Marine Corps Reserves (unitedly), and studied playacting for sise months but never made a motion mental picture. More in earnest, Don highly-developed an addiction to stop number and about died of an overdose in late 1962. By that time, their vocation as graph titans in the U.S. had terminated; "That's Old Fashioned" (1962) was their last Top Ten strike. Their albums became careless, erratic personal matters, which was all the more frustrating because many of their bust singles of the time were o.k., even near-classic efforts that demonstrated they could motionless deliver the goods.


Virtually alone among first-generation rock & roll superstars, the Everlys stuck with no-nonsense rock & roll and remained driven to observe their sound present-day, preferably than drifting toward soft pop or nation care so many others. Although their mid-'60s recordings were for the most part unheeded in America, they contained some of their finest work, including a ferocious Top 40 single in 1964 ("Gone, Gone, Gone"). They remained big stars abroad -- in 1965, "Price of Love" went to number iI in the U.K. at the tallness of the British Invasion. They incorporated jangling Beatle/Byrdesque guitars into some of their songs and recorded a fine album with the Hollies (wHO were probably more blatantly influenced by the Everlys than whatsoever other British lot of the time). In the late '60s, they helped pioneer country-rock with the 1968 album Roots, their most sophisticated and unified full-length statement. None of this revived their vocation as hitmakers, though they could always bidding vast audiences on international tours and hosted a meshing TV variety show in 1970.


The decades of enforced professional togetherness finally took their price on the geminate in the early '70s, which saw a few dispirited albums and, ultimately, an bitter dissolution in 1973. They spent the succeeding decennary acting solo, which just proven -- as is so a great deal the cause in close-knit artistic partnerships -- how much each blood brother needed the other to sound his best. In 1983, sufficiency water had flowed under the bridge for the deuce to re-start playing and transcription together. The tours, with a backup band light-emitting diode by guitarist Albert Lee, proved they could motionless sing intimately. The records (both unrecorded and studio) were sightly efforts that, in the concluding estimation, were non in closely the like league as their '50s and '60s classics, although Paul McCartney penned a small hit single for them ("On the Wings of a Nightingale"). One of the more successful and dignified reunions in the john Rock annals, the Everlys continued to perform live, although they didn't record an album since the later '80s.





Supergrass To Release Glange Fever DVD

Natalie quits Rogue Traders

ACTRESS-turned-singer-turned TV host Natalie Bassingthwaighte has quit Melbourne band the Rogue Traders and will focus her energy on her solo career.
The former Neighbours star moved to Los Angeles last month to focus on a movie career and a solo album. Her former bandmate James Ash confirmed the official split yesterday, saying the band will carry on without their leading lady. In pictures: Natalie's transformation"As Nat's career choices are taking her in new and exciting directions, she won't be able to be a part of the Rogue Traders," Ash confirmed yesterday. "We part company as best friends, with a deep love and respect for each other and what we have achieved over the last three and a half years." Ash said the Rogue Traders would continue – albeit in another guise. "This is far from the end for the Rogues," Ash said. "Rogue Traders has always been a project in transition: Beginning as a DJ duo (and) transforming into an international pop act. "With phase two coming to a close, phase three of Rogue Traders is about to begin and most, literally, won't see it coming." Bassingwaighte's boyfriend, drummer Cameron McGlinchey, is not expected to be in the new line-up. He is working on a solo project and co-wrote material for the Divinyls new album.